SUMMER OF THE MARIPOSAS

From the New York Times bestselling author of Asylum comes the second book in an all-new creepy fantasy series praised as “darkly delightful.”*

After the frightful events of last autumn, seventeen-year-old Louisa Ditton has settled into her role as a maid at Coldthistle House, but she has not settled into what that means for her humanity.

As Louisa struggles to figure out whether she is worthy of redemption, the devilish Mr. Morningside plans a fete—one that will bring new guests to Coldthistle House. From wicked humans to Upworlders, angelic beings who look down on Mr. Morningside’s monstrous staff, all are armed with their own brand of self-righteous justice.

Even a man claiming to be Louisa’s father has a role to play, though what his true motive is, Louisa cannot tell. The conflicts will eventually come to a head on the grounds of Coldthistle House—and the stakes include Louisa’s very soul.

In this second book of Madeleine Roux’s suspenseful House of Furies series, illustrations from artist Iris Compiet and chilling photographs help bring to life a twisted world where the line between monsters and men is ghostly thin.

*Publishers Weekly

The heart-stopping third book in the New York Times bestselling Asylum series follows three teens as they take a senior-year road trip to one of America’s most haunted cities, uncovering dangerous secrets from their past along the way. With all the thrills, chills, and eerie found photographs that led Publishers Weekly to call Asylum “a strong YA debut,” Catacomb is perfect for fans for Miss Peregrine’s Home for Peculiar Children.

Sometimes the past is better off buried.

Senior year is finally over. After all they’ve been through, Dan, Abby, and Jordan are excited to take one last road trip together, and they’re just not going to think about what will happen when the summer ends. But on their way to visit Jordan’s uncle in New Orleans, the three friends notice that they’re being followed . . . and photographed. Then Dan starts receiving messages from someone he didn’t expect to hear from again—someone who died last Halloween.

When the trio arrives in New Orleans and the strange occurrences only escalate, Dan is forced to accept that everything that has happened to him in the past year may not be a coincidence but fate—a fate that ties Dan to a group called the Bone Artists, who have a sinister fascination with notorious killers of the past.

Now Dan’s only hope is that he will make it out of his senior trip alive.

Don’t miss Madeleine Roux’s all-new gothic horror novel, House of Furies.

Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today’s world.

By the fall of 1963, the Civil Rights Movement has penetrated deep into the American consciousness, and as chairman of the Student Nonviolent Coordinating Committee, John Lewis is guiding the tip of the spear. Through relentless direct action, SNCC continues to force the nation to confront its own blatant injustice, but for every step forward, the danger grows more intense: Jim Crow strikes back through legal tricks, intimidation, violence, and death. The only hope for lasting change is to give voice to the millions of Americans silenced by voter suppression: “One Man, One Vote.”

To carry out their nonviolent revolution, Lewis and an army of young activists launch a series of innovative campaigns, including the Freedom Vote, Mississippi Freedom Summer, and an all-out battle for the soul of the Democratic Party waged live on national television.

With these new struggles come new allies, new opponents, and an unpredictable new president who might be both at once. But fractures within the movement are deepening … even as 25-year-old John Lewis prepares to risk everything in a historic showdown high above the Alabama river, in a town called Selma.

Winner of the 2016 National Book Award for Young People’s Literature
#1 New York Times Bestseller
2017 Coretta Scott King Author Award Winner
2017 Michael L. Printz Award Winner
2017 Robert F. Sibert Informational Book Medal Winner
2017 YALSA Award for Excellence in Nonfiction – Winner
2017 Walter Dean Myers Award for Outstanding Children’s Literature – Winner
2017 Flora Stieglitz Straus Award Winner
2017 LA Times Book Prize for Young Adult Literature – Finalist
 

George Eliot’s tale of a solitary miser gradually redeemed by the joy of fatherhood, Silas Marner is edited with an introduction and notes by David Carroll in Penguin Classics. Wrongly accused of theft and exiled from a religious community many years before, the embittered weaver Silas Marner lives alone in Raveloe, living only for work and his precious hoard of money. But when his money is stolen and an orphaned child finds her way into his house, Silas is given the chance to transform his life. His fate, and that of Eppie, the little girl he adopts, is entwined with Godfrey Cass, son of the village Squire, who, like Silas, is trapped by his past. Silas Marner, George Eliot’s favourite of her novels, combines humour, rich symbolism and pointed social criticism to create an unsentimental but affectionate portrait of rural life. This text uses the Cabinet edition, revised by George Eliot in 1878. David Carroll’s introduction is complemented by the original Penguin Classics edition introduction by Q.D. Leavis. Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of ‘George Eliot’, including The Mill on the Floss, Middlemarch, and Daniel Deronda. If you enjoyed Silas Marner, you might like Nathaniel Hawthorne’s The Scarlet Letter, also available in Penguin Classics. ‘I think Silas Marner holds a higher place than any of the author’s works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect … which marks a classical work’ Henry James